George Gopen’s Reader Expectation Approach (REA)

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On Music & Literature

Medium long shot. George Gopen, a white man with short reddish greying hair, mustache, and beard. He is wearing glasses in a dark grey jacket and trousers with a white collared shirt. He is sitting at a black grand piano—his hands on the keys. There are a metronome and sheets of music on top of the piano. There are deep red drapes and the edge of a large window visible in the background.

On Music & Literature

On Music

Newsletter of The Schubert Society of The USA

The Phantom Narrator Revealed: Performing the Final Song of Schubert’s Winterreise

Program Note for a performance by Ian Bostridge and Thomas Ades at Duke University

Schubert’s Winterreise: The Non Plus Ultra of German Lieder

The Boston Musical Intelligencer

Lee Eiseman’s  Review of T. S. Eliot’s Four Quartets with One of Beethoven’s

On Literature

Recent Writing

Explaining the Joy in the text of Jim Bouton’s Ball Four: A Study in Analyzing Prose Rhythm by Reader Expectations and Colometrics

Revue du Centre du Recherche sur L’Imanginaire, L’Identite et L’Interpretation dans les Litteratures de Langue Anglais

The Noble Style of Thomas Deloney: Prose Rhythm as an Indication of Character

Journal of William Morris Studies

The Music of the Mind: Structure and Substance in William Morris’s The Water of the Wondrous Isles

Studies in Philology

Private Grief into Public Action: The Rhetoric of John of Gaunt in Richard II

The Essential Seriousness of Robert Henryson’s Moral Fables: A Study in Structure

College English

The English Teacher and English Song: A Sequel

Studies in the Age of Chaucer

Review of Robert Kendrick’s Henryson and the Medieval Art of Rhetoric

The Journal of English and Germanic Philology

Review of Henrik Specht’s Chaucer’s Franklin in the “Canterbury Tales”: The Social and Literary Background of a Chaucerian Character


George Gopen’s Reader Expectation Approach

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